Showing posts with label Palace of Versailles. Show all posts
Showing posts with label Palace of Versailles. Show all posts

Friday, February 13, 2015

Mirror Mirror On The Wall...


Its all about the sparkle... And why shouldn't it be? Life is too short to inhabit perfunctory spaces with all the usefulness yet ugliness of a fluorescent light bulb! Give me warm and incandescent. Give me candles, give me mirrors. Give me sparkle!

I am currently having fun designing a pair of  pier glasses for the ballroom. A pier glass is a mirror which is hung or affixed to a pier – the wall space between two windows or two doors (called a pier as it supports the ceiling above). 

Above: An example of piers between two French doors very similar to our own.

Pier glasses are usually long and tall, fitted to the space, and are often framed or decorated to match the windows on either side...


It was a common decorating idea in 18th century houses. This was because they were used to reflect candle light (thus often there were matching tables or consoles on the pier below the mirror for candelabras). Thus, beautiful and functional.


- Slight aside, do you know that modern diamonds are cut differently from 18th century ones as 18th century ones were made to sparkle in natural light and candle light, whereas modern diamonds are cut to better sparkle in artificial light?

Above: Examples of pier glasses in the reconstructed music room of Norfolk House at the V&A.

Below: Pier glasses in a ballroom (? In Spain).

Designers in the 18th century would design the pier glasses to match the room along with the furniture...



We have chosen to design pier glasses with arched or curved tops, as the repetition of the curves along the top of the ballroom feels less stilted than having rectangular mirrors... 

Above: Curved top pier glasses.

Below: Rectangular pier glasses.

We are having the glasses made for us to fit the pier between the doors. We will then have the glasses affixed to the wall and affix gilded crystal sconces on either side. 

I found many examples of framing and ornamentation for the mirrors ranging from the insanely ornate baroque to the more modest Edwardian. After some comparison I decided to base my design on this mirror, which although not Georgian would pass for 18th century...


The closest runner-ups were these two... 

I am going to adapt the shield design at the centre top to a shell in order to tie the design to the consoles which will go below.

Here were some other mirrors which we compared in choosing the prototype:

 Chippendale / Adams Styled Pier Glasses...

More ornate French baroque styled pier glasses...
Victorian / Napoleon III Styled pier glasses... 

and more modern pier glasses...

Bringing the whole sparkling look together...
Above: A Chippendale designs for a pier glass.

Below: His designs for matching consoles.

We designed the space in the ballroom specifically to accommodate two pier glasses and consoles, so right from conception the architectural skeleton of the room was correct. We had these consoles made as copies from a photo I took in a antique shop. Our carvers have done a pretty good job of it…

Above: The original Georgian consoles in the Antique shop.

Below: The replicas that our carpenters have made.
Above: Interim photos for approval during the carving process.

Below: The finished gilded pieces.
Above and below you can see the shell motif in the ornamentation, which we shall use on the mirrors to tie the furniture together.

The end effect will be something like this:

Below: Other such consoles...

Sparkle came not just from the candelabras on the consoles and the chandeliers, but from additional candelabras which sat on stands known as torcheres or torchieres....
Above: Chippendale designs for torchieres.

Below: A lovely pair that came up for auction recently (not Chippendale).


more fantastic stands, this one converted for electric lights...


So this Valentine's weekend sit down and relax in the most comfortable chair in your favourite room. Dim the lights and rid yourself of any harsh fluorescent ugliness. Light a candle in front of a mirror, share a glass of bubbles with someone special and revel in your own effervescent sparkly life.

Saturday, May 10, 2014

Colonnade Progress...

The construction of the colonnades commenced two weeks ago, and should be finished in a month or so. I will be able to see the walkway poured and the block work up when I go back next week...

Below: The start of the Carriage House foundations

Below: The colonnade foundations being dug out, looking towards carriage house:

Looking towards the dining room:

Below: Looking down on  the carriage house foundations from above. They should be pouring the concrete for them this week. The green barn which was to be demolished this month for the second half of the vineyard is going to stay now until October, as it has become the stonemason and plasterers' workshop.
Above: The trench dug out for the chapel colonnade foundation.

Below: Colonnade block-work began on the chapel side first.
Above: Colonnade on Chapel side looking from terrace outside the drawing room.

Below: Looking back from the Nymphaeum towards the drawing room and the northern side of the colonnade.

Below: Looking back on Colonnade from site of Chapel

Way back when I wrote my first post on colonnades, I took my cue from the Palladian houses of England, such as Stowe house in Buckinghamshire. But the first time I saw small colonnade wings, and the original inspiration for these little walls to no-where, came from a visit to Versailles and Le Petit Trianon...

But then I went on to find Kelmarsh Hall, designed by an antiquarian and home for over a decade to the famed interior designer Nancy Lancaster...

and  Ditchley Park, once home to Winston Churchill, which I came across in a magazine article about a butling school being run out of the house several years back...

As you can see from the three photos above, by reversing the curve of the colonnade from that of the Petit Trianon, one can form a structurally enclosed courtyard. This gave rise to my design for our courtyard...


Below: The colonnade arms stretching out to enfold the courtyard and to welcome guests...


The difference between our colonnades and those of the Petit Trianon, Kelmarsh and Ditchley is that they were actual covered rooms like these below:

We designed ours to be the same, but recently revised the idea of having them fully enclosed and roofed as we realised that they would have to be quite tall to allow for them to join the manor house wall above the french doors of the dining room and drawing room on either side, so we decided to remove the roof and uncouple the 2 walls of the colonnade.

We have kept the south facade of the colonnade exactly the same - with doors and windows the same as at Kelmarsh...


But the outer wall of the colonnade is now a self supporting garden colonnade up which wisteria will wend...

We will still keep the urns on top of the courtyard facade....


The colonnade should be finished by the end of June, so I should have a photo update then.




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