Showing posts with label Patterned flooring. Show all posts
Showing posts with label Patterned flooring. Show all posts

Friday, September 19, 2014

Progress Report...

Well, Peter and I are now back at the helm after a brief sojourn abroad and are pleased to share how our project is coming along. Mirabile Dictu, we have finally (after 2 1/2 years of negotiation) been granted resource consent to conduct events such as weddings on the property, in addition to the accommodation and smaller events which were already permitted activities. This means we can kick start our marketing campaign for this coming year knowing that we can deliver on all our promises to prospective clients.

Above: View of manor from the Bois de Marie. Things are slowly coming together.

As you can see, most of the windows have gone in. We are just waiting for the curved top windows and doors which were more complicated and time consuming for the metal formers to shape (all the joinery is aluminium as although we like the look of wooden joinery, we were constantly replacing windows at Eden and don't want to be doing that in our dotage).


Above: The latest view of the front of the project. Not a lot has changed in this shot, as they have concentrated their efforts on the interiors whilst waiting for the joinery to arrive. The roof of the carriage house is on, and the custom clock tower is being fabricated in the UK as we speak and will soon be on the water along with several bolts of velvet damask for the upholstery. (As an aside our Etro silk damask arrived last week and is stunning. We can't wait to see it on the walls).

So, in through the front door we go. Konstantinos is already busy at work carving the front doors. We saw a mock up of them last week and they are going to look stunning. We have decided not to paint them black with gold leaf molding instead opting to have them made out of a beautiful hardwood and stained dark brown to match the cedar doors of the chapel, carriage house and colonnades. It is a different, more baronial look, but will bring unity to the south elevation.

Below: View of the foyer from front door.

We have seen the travertine, which is now on site as well as the black marble border. They should be laid within the next month as they are just waiting for all the door architraves to be put up before the flooring goes down. We have also chosen the hardwood flooring for the Ballroom, Music Room and Kitchen...

Below: The flooring choice - Top left is oak flooring with red mahogany stain which will be used for all three rooms for main part of floor. Top right is the blonde unstained oak which we will use for parquetry borders. Below is a full length of Jarrah, one of the original choices for the flooring, but which once varnished looks more crimson coloured than we had realized.


From the Foyer we turn right down the hall past the China room, Cellar, Lift and Powder Room to the Dining Room. Below: The hallway to Dining Room.


Below: View of the Dining Room.

From the Dining Room we turn left and walk into the Kitchen. Turning around we see the view back to the dining room with the Scullery to the left and the Butler's Pantry to the right...


To the right of the pantry we move into the Salon, where the builders are hard at work cutting up the architraving and mitering it around the doorways...

Walking right through the Salon we enter first the Music Room:

Then the Ballroom:
Above: View north out of the Ballroom Doors

Below: View back through same doors into the Ballroom.


Below: Detail of the curved coving which took the team quite a while to plaster by hand. Below the coving will sit the cornicing, which will have LED striplighting above the cornicing to light up the coving.



Below: The view back towards the Foyer from the Ballroom. You can see the air-conditioning unit with all its ducting will soon be hidden above a curved ceiling.

Back down this hallway towards the Foyer you go past the Music Room to the left and the Billiard Room to the right. 
Below: A view of the Billiard Room with a trial stain on the architraves. We experimented with some trial heights for the chair rail (dado rail). We decided it will run immediately under the window architraves. The room will have oak paneling below the chair rail and green silk upholstery above, except for the wall on the right in the picture, which will be solid oak paneling from floor to ceiling, with a large open hearth in the centre. It is through a door in the paneling of this wall that one enters the Gold Drawing Room.

Above: Billiard Room.

Below: Gold Drawing Room.

Above and Below: The builders put some off cuts of timber up on the walls so we could get our eye in on how high we wanted the chair rail and wainscot panel molding; and how thick each of the components should be. We settled on a 750mm wide chair rail at 875mm high on wall, with 35mm wide moldings in the space left between the skirting and chair rail as shown below. We also signed off our choice of chair rail profile and panel molding profile, so that should arrive on site this month too.

For some inexplicable reason I forgot to take photos of the second floor, so unlike Willoughby's tour, yours finishes back in the foyer...

Below: All the fireproof components of the fireplaces sitting in the front entrance.


Below: The iron reinforcing around the outside of the manor waiting to anchor the midfloor frieze band once attached.


Below: View over the raised lawn (which has resown itself from mud over winter. Pity, as it still needs to be harrowed, resown and neatly manicured in December.


The lawn can not be finished until the terrace has been fitted with its balustrading and urns, plastered, and laid with marble. Here is a picture of the inside of the green barn by the vineyard, which is being used as a giant plaster workshop. I suspect that given the place we are at in the schedule the barn will not be coming down as planned this month to plant the second half of the vineyard, but more likely in January. 


There has been a lot of rain over the past week (45mm daily for 5 days in a row). On the bright side, this has shown us where we need to place better drainage and we would rather find out now while we still have landscaping to do than once we are up and running only to have to rip up lawns and relay drains.

The rain has meant that the recently dredged duck pond has filled up nicely, which the Indian Runners are loving...


While the others are busy paddling away, one has made herself a nest under the corrugated iron of an old goat shelter and is sitting on a clutch of eggs. This year we are going to keep all the ducklings, as last year we sold them all off after a successful season of using an automated incubator.


The inevitable has finally happened and we are tracking over time and over budget, but we should still be able to shift in by the end of the year even if WBP is not ready to receive guests until February.

This means that we will be looking to have a November 2015 opening for weddings which will give us a 12 month lead in period for taking bookings (as we don't suspect many couples will tie the knot over winter).

In the interim we will look to open the boutique accommodation in March, having our gala opening in February - maybe Valentine's Day.

Saturday, August 9, 2014

I've got it covered...

The marble has finally arrived from Greece and Italy for the flooring, so I am looking forward to seeing it laid when I next go back in September. Now we are choosing carpets to match the hard flooring.

We have found a nice tufted cut pile carpet from a NZ company called Irvines. It is from their premium solution dyed nylon (PSDN) range. Now, I was raised to believe that the only acceptable carpets One could countenance having in One's home were 100% wool. But it appears that that idea is now completely on its head, with technology far eclipsing the sad and tragic range of harsh and scratchy artificial fibres that were on offer in the 1980s. Modern PSDN carpets are soft, stain proof, fade proof, hard wearing, and look good. 

We also compared triexta/polyester carpets (such as Smartstrand made by Mohawk), which are incredibly popular, with PSDN and woolen carpets. When we went to one independent carpet company who sold all three we were shown a simulated 10 year wear test on woolen carpets vs polyester/triexta vs PSDN and there was no comparison, the PSDN was by far the best wearing.

Above: Willoughby 'helping' choose the floor coverings. Every time we put a carpet sample down on the floor he went and lay on it. I think he agreed in the end that the Westminster City Beige worked best for his fur tones (and was the one which worked best with the beige marble sample).

Above: Westminster City Beige PSDN carpet and the foyer marble sample. The photo below is the same carpet, but is more representative of the colour the carpet actually is. 

It has been paired with the Westminster City Black carpet (above) which will provide a border trim to the rooms in the same way that the black marquina marble will form a trim for the beige travertine. The carpets and marbles including the borders will segue into each other as you transition from the foyer to the salon.


We are looking for a vivid crimson red for the dining room, to match the silk damask walls. We are undecided on a plain red, such as this PSDN carpet called "Grenadier Guards"...


or whether to go for a patterned red such as the Irvines pattern called Delvaux...


or this one called trellis...

The above 2 examples are of a printed nylon carpet, the benefit being the patterns are crisp on the carpet. A more traditional approach would be a woven pattern, such as these by Brintons...


we want to capture a certain look in the dining room carpet, the look created by the carpet in these photos...

 Above: The dining room at Althorpe House

Below: The dining room at Broughton Hall

Above and Below: The dining room at Chatsworth House 

Above and Below: Rooms at Lancaster House 

 Above and Below: The Dining Room at Buckingham Palace

Below: A still from a scene in Downton Abbey. I am not sure of the set location.


For the Billiard room we will chose a green carpet, either plain or patterned. It would be a traditional pattern, such as this...

Above: Brintons

Below: Irvines

or a tartan, which I really like the idea of, as the rest of the room's interior is designed with a Scottish highland flavour...

This pattern by Irvines is from the same range as the first tartan, but is somewhat less traditional!

It would be lovely to own a beautiful Aubusson carpet, such as the one at Chatsworth - worth about as much as our entire manor!...


Above and Below: Beautiful examples of the work of Craigie Stockwell who still make bespoke carpets. The carpet above is a reproduction Savonnerie carpet made for this room at Chatsworth. Below is a photograph of how they are manufactured on a broadloom by hand. Amazing!


In a small homage to this wonderful piece we have bought a small (8' x 5') modern Savonnerie rug for our Chatsworth suite:


Aubusson carpets and tapestries were at their zenith in the 17th and 18th centuries. They were based in Aubusson in the upper valley of Creuse in central France. The carpets were essentially large scale hand knotted / loomed tapestries, which were up against the royally privileged houses of Gobelins and Beauvais. Savonnerie  were the most prestigious knotted pile carpets made at this time, following on from the legacy of Gobelins and Beauvais. The factory was founded out of a previous soap factory, hence the name Savonnerie. Aubusson and Savonnierie carpets were available to the nobility and wealthy, whereas the Gobelins and Beauvais houses were employed solely by the king.

Below: Example of the hand knotting of a Savonnerie carpet

Here are some more examples of Aubusson and Savonnerie carpets to covet...

Below: More modest modern attempts...  

Classic designs for carpets:
Related Posts Plugin for WordPress, Blogger...