Showing posts with label Cocktails. Show all posts
Showing posts with label Cocktails. Show all posts

Friday, June 12, 2015

World Gin Day - My Top Twelve...

In celebration of World Gin Day tomorrow, I have collated my list of a dozen of the best, which I think we should stock at WBP.

No. 1. The Botanist.


The Botanist, distilled on the isle of Islay, one of the Hebrides islands, is a pot distilled gin made from 22 botanicals foraged from around the island. These locally sourced ingredients are "gently coaxed into releasing their complex signature aromatics". I find it has a cool and even initial taste, then as it hits the back of the tongue the aromatic compounds start to release themselves, unleashing citrus high notes on a base of peppery warmth. A decent gin for a martini as it drinks well in a minimally adulterated form.

No. 2. Tanqueray 10.

Tanq. 10 is one of my staples, as it is a good all rounder. Distilled in a small copper still, known as 'Tiny Ten' - from which it takes its name - it contains full but well balanced citrus tones from the whole oranges, grapefruit and limes which are introduced to the spirit in the still, along with other herbs popular to most gins such as coriander, chamomile and of course juniper. It drinks well in all cocktails and is perfect for a G&T on any occasion.

No. 3. Hendrick's.

Hendrick's thanks to its quirky marketing has become very popular in recent years, but then they do produce a good product. Slightly sweeter than many gins on the market, this will appeal to people who do not prefer a dry martini. I myself however, have only tried it in G&T. Its floral notes make it appealing for picnics and summer's afternoons, being popularly served with a slice or two of cucumber in one's glass. It would also be suitable for light cocktails perhaps with summer berries or elder flower liqueur.

I used to love Bombay Sapphire gin when I was a student. Like No. 10, it is a pretty good all-rounder, although not exceptional in a martini. Over the past few years they have released a few variations on the standard mix, the first being Bombay East (which Peter and I bought a bottle of last year when we went on holiday to Penang, and actually left it mostly full in the hotel room as it was unpleasantly peppery and did not make for an uplifting mixture). Last month they released "Star of Bombay", which in addition to their 10 usual ingredients also contains Bergamot and Arabella seed. I picked up a bottle from DFS on the way home recently and I must say it is the best gin in the Bombay range. I would happily use it for a martini. It is, however, only available for a limited time so if you wish to try it I suggest you go and treat yourself to a bottle soon!


No. 5. Bloom.
This gin stands out as something different. It is a light, sweet gin with honeysuckle notes. Suited for when you want to enjoy a more subtle drink without a heady alcoholic punch (only 80% proof compared to say the Leopold, at 114% proof). Sometimes referred to as a gin for ladies!


A crisp dry gin with floral hints mixed with undertones of Bramley apples, this gin is made in Hertfordshire from neutral spirit from fermented apples. It is re-distilled with lemon, hops and elder-flower among other ingredients to produce this fine gin perfect for an elegant martini on a summer afternoon, or perhaps a vesper (3 Oz Gin, 1 Oz Vodka, and 1/2 Oz Lillet Blanc. Shake with ice and strain into martini glass. Garnish with lemon after rimming glass).

No. 7. Rogue Society .

This is the only NZ gin on the list, but is definitely one to compete with the others. If one could suggest that Bloom is a gin for the ladies, then this is definitely a gin for the men. It's masculinity comes from notes of leather, sap, and coriander. It has an intriguing depth and woodiness to it. Great for the classic dry martini (2 1/2 Oz Gin, 5 Oz Dry Vermouth and a dash of orange bitters. Shake with ice and strain into a martini glass. Serve with a twist of lemon).

No. 8. Monkey 47.

Bold flavours of lime with herbal overtones from spruce, lingonberries, lavender and hibiscus. These are but a few of the 47 aromatic ingredients used to make this revival gin from a post war Black Forest recipe. A heavy gin to be savoured on its own or in a cocktail such as The Aviator (2 Oz Gin, 1/2 Oz Maraschino Liqueur, 1/4 Oz Creme de Violette or Creme Yvette, and 3/4 Oz fresh lemon juice. Shake with ice and strain into martini glass. Serve with a cherry).


A hot peppery spicy dry gin suitable for classic dry martini. It has fresh pine and citrus beginnings with a warm and balanced end palate. 

This American gin is a powerful 114% proof strong flavoured gin. Good for the G&T, or for a lethal martini!

No. 11. Bulldog.
Made from neutral spirit distilled from Norfolk wheat, flavoured with 12 botanicals including liquorice root, lavender, and almonds, this London dry gin is another good all-rounder. It is not as aromatic as say Bombay, and so suits someone who doesn't usually drink gin, and is good in cocktails such as a Negroni (1 Oz of Campari, 1 Oz of Gin, and 1 Oz of Sweet vermouth. Mix the ingredients in an old fashioned glass filled with ice, and serve with an orange twist).


Now, I'm not a fan of  Gordon's London dry gin, as I find it too highly perfumed and a little like drinking eau de cologne, but I do like their sloe gin. I'm a big fan of sloe gin. I usually have it in my hip flask when I go hunting; and have plans afoot to make some of my own at WBP. Gordon's sloe gin is easily drinkable and smooth. It is also very reasonably priced too. They have recently released an elder-flower gin which I look forward to trying soon.

Caution: Please drink responsibly. 
Willowbrook Park endorses the responsible service of alcohol. 

Sunday, January 4, 2015

I Walk The Line...


Having mild OCD has its benefits. One such benefit is that I'm sure that the formal lawns around WBP will have perfectly mown stripes, in boustrophedon fashion. I love striped lawns. It demonstrates hard work and pride! And they look good. At WBP the stripes will provide a more dramatic contrast between the formal lawns around the house, and the rest of the parkland which will be left with a constantly 'grazed' look.


We did our due diligence before choosing our grass seed from the many that are available on the market. Ours is a lush midgreen grass blend known as Tournament. It has a blend of fine fescues and rye grasses, which is designed to look good most seasons of the year, tolerate dry and wet equally as well, and above all, take well to being finely manicured.


Fescue is a hardy tough herbaceous plant used in varying proportions with rye grasses in most lawn seed mixes to provide height and hardiness.

I suspect one of the big problems we will face down the track is trying to maintain the fine grasses without self-sown grass seeds, such as paspalum, borne on the wind from our farm and those of neighbouring estates, causing clumps of weeds in the lawn. Paspalum grows in thick clumps as is a common cause of unsightly lawns in NZ...


The options for controlling it include digging patches out or spot spraying - both of which leave unsightly marks on the lawn.

All lawns require effort if they are to look good. It is a misconception that all they require is water in summer and clipping when they look too long.


Grass, like a hedge, will do much better if it is cut frequently but lightly (usually weekly, even if it is still looking good). They do not take well to being left for a couple of weeks and then heavily massacred.


Like other plants they also look much healthier if they are regularly dressed with a slow release fertiliser. I can see the logic in people saying not to fertilise them as then they grow faster and require cutting more often, but if you want your lawn to look really good you can't take short cuts.

Above:A Croquet Lawn

Below: A Terraced Lawn

Once you have prepared the ground (cultivated it, harrowed it, sprayed it for weeds, left it for a couple of weeks, harrowed and sprayed it again, sowed it, dressed it with fertiliser, watered it and have finally started to get a nice dense lawn), you are then ready to cut and roll.


The stripes in the lawn (much like unsightly track marks on modern carpets) are caused by the grass lying in opposite directions once cut. You can approximate the effect by simply cutting the grass in alternating directions as you go, but to get the dramatic look you should have a roller behind the mower to really flatten the grass, emphasising the difference in direction.

You can buy various rollers. The romantic in me initially wanted to get one of these lovely antique rollers below, the sort I remember at my grandfather's croquet club when I was little...


 But, being more practical I found these two rollers, which we ended up purchasing... 


There is a small hand roller, which can be attached to a push mower or used separately afterwards; and there is a large roller, which will connect to our ride-on lawnmower for the larger areas, to ensure the lovely striped finish. They came as empty barrels, which you can fill with water or sand to the desired weight. I think we will use water, as that will be easier to drain out again if required.

To finish I'd like to share one of my favourite Tottering-By-Gently cartoons by the very talented Annie Tempest (always a favourite part of reading Country Life magazine) showing the difference between Daffy and Dickie mowing the lawns.




Tuesday, December 9, 2014

Sphinxes finally find their home...

The sphinxes have made it to their final resting place, as guardians of the entrance to the gardens from the cocktail lawn. The penultimate time I was home the raised cocktail lawn was a brown mess of soil and weeds, but since then Peter has sprayed, harrowed, rolled, sown and rolled it again and thanks to the spring rain it has been transformed from that patch of dirt into a burgeoning formal lawn in just 4 weeks...


So, with no more ground work required we were able to take the sphinxes out of their crates and have them placed just so...

Above: View of the pair from the upstairs balcony.

I am enjoying seeing things starting to come to fruition, especially because the space now starts to take on some scale and perspective.

Above: View from ground.

Below: The view across the raised lawn towards Badger's Wood. The walls are yet to be plastered and the travertine steps yet to be set.


Keeping a watchful eye...

Some more photos of the spring growth...

Above and Below: Badger's Wood from Upstairs and Downstairs respectively.

Above: View of manor from Lime Walk, with the Bois de Marie to the left.

Below: Our first crop of hazelnuts starting to develop on the trees in the Bois de Marie

Below: A panorama from the end of the lime walk.

Thursday, April 4, 2013

Mixology...

I am very much looking forward to our cocktail party tonight. 


There will be a lot of liberal mixing and generous portions, unlike a recent experience at one of the local bars in Dubbo...

I had gone into town one evening after work to what I was told was one of the better public bars in the area, 'The Milestone'. I was meeting a colleague for a drink and tete a tete. The moment I entered the establishment my heart sank, on a scale of 1-10 it failed to register for its lack of ambiance  Trying to be good sport and not judge it on its first impression I went up to the bar and ordered two G&Ts from the very pleasant girl behind the bar.

What followed was gob smacking. She took out two glass thimbles (they were an odd shape and wouldn't have held more than 150mls. She then proceeded to very accurately measure a nip of gin into each before well over-flooding both with tonic water from a post-mix dispenser. I grimaced. It had been a stressful day and a glass of soft drink was not what I had been looking forward to. It would have been bad enough if the story ended there, however any trace of gin that may have been left in the glass was soon to be displaced by ice liberally scooped into the vessel with an Archimedeal effect. She smiled sweetly and asked me if I would like a slice of lemon with it. Feeling that any remonstration would be completely lost on her, and remove any possibility of enjoyment from the evening, I stopped grinding my teeth, smiled, and forced a "Yes, thank you" from my lips. 

Having finished the insipid mixture I thought I would head for the wine list. Surely One couldn't  stuff-up pouring a glass of wine. Oh, but evidently One can. Having chosen two glasses of a promising sounding Shiraz, I then watched the same girl get out an old kitchen measuring cup, dribble into it an aliquot from the bottle and the tip it into each glass. My dear readers, over the years I have refrained from using my blog for complaining, complaining is borish and seldom makes for an interesting read, but the sheer dismay of this experience has compelled me to expurgate the memory through writing!

So, now you may understand just how much I am looking forward to a charming cocktail party such as we are throwing this evening. We shall be mingling away till the early hours, when we have to leave to catch our flight to Sydney, and thence on to Malaysia.

Addendum: Cocktail Party Photos...








Wednesday, March 31, 2010

I've been to a marvellous party...



Sir Noel Coward (16 December 1899 – 26 March 1973) was an English playwright, composer, director, actor and singer; known for his wit, flamboyance, and what Time magazine called "a sense of personal style: a combination of cheek and chic, pose and poise".

Born in Teddington, London, Coward attended a dance academy in London as a child, making his professional stage début at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as Private Lives, Brief Encounter, Blithe Spirit, and Design for Living, have remained in the regular theatre repertoire. He composed hundreds of songs, in addition to well over a dozen musicals (including the operetta Bitter Sweet), poetry, several volumes of short stories, the novel Pomp and Circumstance, and a three-volume autobiography. Coward's stage and film acting and directing career spanned six decades, during which he starred in many of his own works.



At the outbreak of WWII, Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service, seeking to use his influence to persuade the American public and government to help Britain.

Coward won an Academy Honorary Award in 1943 for his naval film drama, In Which We Serve, and was knighted in 1969. In the 1950s he achieved fresh success as a cabaret performer, performing his own songs, such as Mad Dogs and Englishmen, London Pride, Mrs Worthington, Nina, and I went to a Marvellous Party.




Above: The trailer for Brief Encounter

Below: The trailer for The Astonished Heart

His plays and songs achieved new popularity in the 1960s and 1970s, and his work and style continue to influence popular culture. Coward did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward's diaries and letters, (published posthumously). The former Albery Theatre (originally the New Theatre) in London was renamed the Noel Coward Theatre in his honour in 2006.

Whilst listening to his song "I've been to a Marvellous Party", I was intrigued by the line " Laura got blind on Dubonnet and Gin". I had never tried Dubonnet before. So we went on a trip to our obliging little merchant in the high street, obtained this quaint drop, and promptly mixed up the said tipple: and it was smashing! Far easier to drink than a martini, though it probably doesn't have the same connotations. It is probably more along the lines of a pink Gin, which has the reputation of being a lady's drink (much to the chagrin to many men who have a more refined palate).

Below: The lyrics to Coward's song (the lyrics don't scan well, but when you listen to the recordings you'll see how they fit).


I Went To A Marvellous Party

I must say it's the most extraordinary experience
not everybody I suppose....
it's something to do with the sun and all that
but I wouldn't understand myself really and I'm not sure its even legal

You know quite for no reason I'm here for the season
and high as a kite
Living in error with Maud at Cap Ferrar which couldn't be right
Everyone's here and frightfully gay nobody cares what people say
Though the French Riviera seems really much queerer than Rome at its height
On Wednesday night I went to a marvellous party
With Nunu and Nada and Nell
It was in the fresh air and we went as we were
and we stayed as we were - which was hell
Poor Grace started singing at midnight
and she didn't stop singing til four
We knew the excitement was bound to begin
when Laura got blind on Dubonnet and Gin
And scratched her veneer with a Cartier pin

I couldn't have liked it more…

I've been to a marvellous party. We played a wonderful game.
Maureen disappeared and came back in a beard and we all had to guess at her name. Cecil arrived wearing armour, some shells and a black feather boa.
Poor Millicent wore a surrealist comb
made of bits of mosaic from St Peters in Rome
but the weight was so great that she had to go home -
well I couldn't have liked it more..

I've been to a marvellous party. I must say the fun was intense.
We all had to do what the people we knew
might be doing 100 years hence.
We talked about growing old gracefully
and Elsie who's 74 said a) it's a question of being sincere
and b) if you're supple you've got nothing to fear
then she swung upside down from a chandelier -
and I couldn't have liked it more..

It was the most fabulous excitement, I've never seen such a carry on
obviously it couldn't happen anywhere else but on the Riviera it was most peculiar..
You know people's behaviour
away from Belgravia would make you aghast.
So much variety watching society scampering past…
You know if you had any mind at all, Gibbons divine 'Decline and Fall'
well it sounds pretty flimsy no more than a whimsy
by way of contrast on Wednesday last…

I went to a marvellous party we didn't sit down til ten.
Y'know young Bobby Carr did a stunt at the bar with a lot of extraordinary men.
And then Freda arrived with a turtle
which shattered us all to the core.
And then the Duchess passed out at a quarter to three
and suddenly Cyril cried 'fiddle-de-de'
and he ripped off his trousers and jumped in the sea -
I couldn't have liked it more..

I've been to a marvellous party - Elise made an entrance with May.
You'd never have guessed from her fisherman's vest
that her bust had been whittled away.
Poor Lulu got fried on chianti and talked about esprit de corps.
Louise made a couple of passes at Gus
and Freddy who hates any kind of a fuss
did half the big apple and twisted his truss
HA HA! ... I couldn't have liked it more!



Above: Beatrice Lillie's Period Version

Below: A modern version of I Went to a Marvellous Party




The song was written about the "bright young people", the sobriquet given to a group of young aristocrats and socialites in late 1920s London. They threw elaborate fancy dress parties, went on elaborate treasure hunts through night-time London, drank heavily and experimented with drugs -- all of which was enthusiastically covered by the press.

They inspired a number of writers, including Nancy Mitford ("Highland Fling"), Anthony Powell ("A Dance to the Music of Time"), Henry Green ("Party Going") and the poet John Betjeman ("A Subaltern's Love Song"), and Evelyn Waugh ("Vile Bodies"). Cecil Beaton began his career in photography by documenting this set, of which he was a member.

This group inspired the film "Bright Young Things", which features many of their crazy antics.













Anyway, back to that Dubonnet...

Dubonnet was first sold in 1846 by Joseph Dubonnet, in response to a competition run by the French authorities to find a way of persuading French Foreign Legionnaires in North Africa to drink quinine.


The late Queen Elizabeth The Queen Mother, was partial to her Dubonnet and Gin. Her recipe was 1 part gin, 2 parts Dubonnet with a slice of lemon under the ice. She even instructed her loyal steward to bring it on certain outings. Below is a hand written note from The Queen Mother to her steward...



The Queen is also partial to Dubonnet and Gin, having it as her regular pre-lunch tipple. She also carries a flask of it where ever she goes (well, someone else carries it for her). I'm not sure whether the tradition stems from the fact that the Monarch had to be protected at all times from poisoning, or whether she just really likes the uplifting mixture.


Some more Noel Coward classics...

Nina



If love were all




Mrs Worthington




Mad about the boy




Mad Dogs and Englishmen

Related Posts Plugin for WordPress, Blogger...