Thursday, May 6, 2010

The Great Country Estates of Britain Series. Part Six: Wrotham Park




Wrotham Park, Hertfordshire is a Palladian English country house, designed by Isaac Ware in 1754 for Admiral John Byng. It is set within a 2,500 acres estate seventeen miles from Hyde Park, making it one of the largest private houses inside the M25.


Originally part of an estate known as Pinchbank, first recorded in Middlesex in 1310 and owned in the 17th and early 18th centuries by the Howkins family, the property passed to Thomas Reynolds, who renamed the estate Strangeways. His son, Francis, sold the property to Admiral Byng, who changed the name to Wrotham Park in honour of the original family home, Wrotham, in Kent. Admiral Byng never had an opportunity to live in retirement at Wrotham, being court martialled and executed first. It remains in the family today.


A disastrous fire in 1887 burned slowly enough to permit retrieval of the contents of the house, but gutted it. It was rebuilt precisely as it had been.

Scenes for Robert Altman's Gosford Park were shot at Wrotham Park, including exterior scenes and the staircase, dining room, library and living room. Scenes for the ITV Jeeves and Wooster series were also shot at Wrotham Park. Both the interior of Brinkley Court and the interior and exterior of Chuffnell Hall (Episodes 4 & 5, Series 2) were filmed there.

Other film and television sitings include The Line of Beauty and Peter's Friends.

Wrotham, however, is more important to me for inspiring the idea to provide disabled access to Willowbrook Park via two ramps on either side of the front entrance, as per the twin set of steps at Wrotham...


We had been searching for a way to enable the less-abled (and ourselves in our dotage) to find ingress and egress without breaking a hip. If instead of a magnificent twin set of steps, one had a twin set of ramps of a suitable gradient, one could have disabled access without spoiling the overall aesthetic of the front entrance...


Wrotham's steps remind me of another building - Keddleston Hall...


But Keddleston will have to wait for another exciting installment of The Great Country Estates of Britain series.

Wednesday, May 5, 2010

Beds and Bedrooms...



Willowbrook Park will have 5 guest bedrooms in total, each with its own theme. There will be:

  • The Brideshead Suite

  • The Chatsworth Suite

  • The Blenheim Suite

  • The Carriage House Apartments

  • The Royal Suite
The Brideshead Suite is the largest of the bedrooms suites, measuring 10m x 5m (32' x 16')

The Chatsworth Suite is the next largest, measuring 7m x 5m (23' x 16')

The Blenheim Suite is the smallest of the bedroom suites at 6m x 5m (20' x 16')

The Carriage House Apartments are 17m x 4m in total, comprising several separate rooms.

The Royal Suite is 13m x 5m (42' x 16')

Each suite has a unique character and colour scheme. The Brideshead suite will be decorated in beiges and golds. It has two distinct reflected ceiling mouldings to define the bedroom area from the lounge area, and a separate marble en suite. Below is an example of the sort of colourscheme and layout the Brideshead suite will have. Note the use of reflected ceilings, and the traditional furniture layout. I like the way one can break a long room up into several different spaces, whilst keeping it open and light:



The decor that will typify this suite: light and classical...



Other examples of light and open suites:




I also love fireplaces in bedrooms. It is so Luxurious!

There is a fireplace in the Royal Suite and also in the Chatsworth Suite.




I also like the idea of beds in custom built alcoves, however none of the suites at Willowbrook would be suitable for this.




Other beds and bedrooms...






Above and Below: Muted Shades. I like the paneling.

I am not a fan of the colour yellow, even if it is a warm colour.

Green is peaceful, though slightly cool.



Above and Below: Empire Day beds. I Like the canopies. Perhaps in the Blenheim Suite.


I love the bed below. Unfortunately, New Zealand being a million miles away from anywhere, is an expensive place to ship to.


Above: A flamboyant statement. I like the red walls with the purple and green silk canopy.


Below: Too much. I wonder if Marie Antoinette suffered from frequent migraines?



Monday, April 26, 2010

Our First Harvest for The Country Store...


We are starting to reap the fruits of our labours in our Orchard, which is only 6 months old. Our Crabapple trees, (Malus 'Gorgeous' and Malus 'Wright's Scarlet') are starting to produce some colourful apples which will soon be ripe for making Crabapple Jelly.

Crab apples are unlikely to be on sale, but go foraging and you'll find them. Wild trees thrive on country roads and in abandoned homestead gardens and are occasionally found dropping fruit onto city streets. Raw, the tiny apples are hard and tart and seem more stone than flesh, but boil a potful into jam or jelly and they make a lovely treat for morning toast. Even better on a buttery, rich croissant. And should a wild duck wing its way to your larder come the month of May, glaze the cooked bird with your crab- apple jelly and wait for compliments.


CRAB-APPLE JELLY

Quarter-fill a large saucepan with washed and dried crab apples. Completely fill saucepan with cold water and bring to the boil. Simmer briskly for 40 minutes until the liquid is reduced by about half (the crab apples will soften and burst). Put a new Chux cloth or similar in a colander over a large jug or bowl and tip in crab apples and liquid. Leave 3-4 hours to drain. Discard crab apples. Measure juice by the cupful into a large clean saucepan. Add the same number of cups 78 filled with sugar (in other words, not quite as much sugar as liquid). Over a low heat stir to dissolve the sugar. Gradually increase heat and bring to a boil. Boil briskly for 10 to 15 minutes, then test for setting by dropping a spoonful of the jam/jelly onto a cold saucer. If it wrinkles, or better, if it stays separate when you drag a finger through the puddle, it is at the jelly stage. Pour into clean, warmed jars, drop 2-3 whole peppercorns into each jar, cover and leave to cool. The peppercorns give the jelly a savoury fillip but this step is optional, especially if the jelly is to be used as a breakfast spread. - Recipe from The Press.


The Willowbrook Park recipe is slightly different, and will be available in our Cookbook, on sale this Christmas.

Apart from the Crabapples, we have some other fruits starting to develop in the orchard...

Figs

Bramleys

Fejoas

And soon some Blackberries on our thornless hertiage canes

Sunday, April 25, 2010

Introducing Bracken and Bramble, and Chestnut...



Yesterday we went to a place called Hunua, east of Auckland to pick up the lastest addtion to the Willowbrook Park Rare Breeds Farm - 3 Boer goats: a Buck - Bracken, a Doe - Bramble, and a little Wether called Chestnut...

Above: Chestnut

Above: Bramble

Below: Bracken

Boer goats developed in South Africa from an indigenous breed with the addition of some European, Angora and Indian breeds. The name comes from the Dutch word “boer” meaning “farmer” and was used to distinguish them from Angora goats which were imported into South Africa during the nineteenth century.

The present day Boer goat appeared in the early 1900s when South African farmers started selecting for a meat type goat.

The Boer goat is a large animal and is a specialized meat-producer. Landcorp first imported embryos of the breed into New Zealand in 1989 but they did not become commercially available until the mid-1990s when they were released from quarantine.


In New Zealand, purebred bucks are often used in grading-up programmes: many dairy goat farmers use a boer buck over some of their dairy goats does to produce kids that reach their goal weight faster than a purebred dairy goat kid would.

Each purebred is tagged, and registered with the NZ Sheep breeders association (previously the NZ Boer Goat Breeders assoc).


We can now start our own Boer Goat Stud, with a Buck and a Doe, but best of all, the Doe is already pregnant, and possibly expecting twins. We will keep you in touch this September. They are very cute animals, very agile, and ever so intelligent. They don't stop following you around the field all day, and aren't aggressive, like many goats are portayed. But, they are challenging our hitherto fine fencing, so before we loose our orchard to a midnight goat rampage, we will have to start doing some reinforcing.


Other species of goats can be very cute as well...







Saturday, April 24, 2010

ANZAC Day...


On the 25th of April, New Zealand and Australia commemorate ANZAC Day. Although ANZAC Day does not mark a military triumph, it does remind us of a very important episode in New Zealand's history. Great suffering was caused to a small country by the loss of so many of its young men. But the Gallipoli campaign showcased attitudes and attributes - bravery, tenacity, practicality, ingenuity, loyalty to King and comrades - that helped New Zealand define itself as a nation, even as it fought unquestioningly on the other side of the world in the name of the British Empire.On 25 April 1915, eight months into the First World War, Allied soldiers landed on the shores of the Gallipoli peninsula. This was the Turkish territory of Germany's ally, the Ottoman Empire. The troops were there as part of a plan to open the Dardanelles Strait to the Allied fleets, allowing them to threaten the Ottoman capital Constantinople (now Istanbul) and, it was hoped, force a Turkish surrender. The Allied forces encountered unexpectedly strong resistance from the Turks, and both sides suffered enormous loss of life.

The forces from New Zealand and Australia, fighting as part of the ANZAC (Australian and New Zealand Army Corps), played an important part in the Gallipoli campaign. At its beginning, people at home greeted with excitement the news that our soldiers were at last fully engaged in the war. New Zealand soldiers distinguished themselves with their courage and skill, establishing an enduring bond with the Australians they fought alongside.

The Gallipoli campaign was, however, a costly failure for the Allies, who after nine months abandoned it and evacuated their surviving troops. Almost a third of the New Zealanders taking part had been killed; the communities they came from had counted the cost in the lengthy casualty lists that appeared in their newspapers. And the sacrifice seemed to have been in vain, for the under-resourced and poorly-conducted campaign did not have any significant influence on the outcome of the war.

After Gallipoli, New Zealand had a greater confidence in its distinct identity, and a greater pride in the international contribution it could make. And the mutual respect earned during the fighting formed the basis of the close ties with Australia that continue today.



Poppies have an enduring association with ANZAC Day, dating back to the 1920s. Throughout New Zealand, people of all ages wear a red poppy as a mark of remembrance for the men and women who have died in the course of service for their country. Poppies made of light cloth or paper are also woven together to form wreathes which are laid at war memorials up and down the country.

The poppies are a vivid reminder of the sacrifice - the blood lost - in war. The connection between red poppies and fallen service personnel has its origins in the Napoleonic Wars of the early nineteenth century; red or Flanders poppies were the first flowers to bloom over the graves of soldiers in northern France and Belgium.

It was in the same region - the Western Front - a century later that red poppies were once more associated with those who died in war. Canadian medical officer John McCrae penned the famous and moving line:

In Flanders fields the poppies blow
Between the crosses, row on row.

After the First World War, the red poppy gradually became recognised as a symbol of remembrance. The shape of the poppy has undergone several changes over the years, and today's design was adopted in 1978.

Anzac Biscuits


New Zealand and Australia share a tradition of ANZAC Biscuits. Both countries claim to have invented them, but ANZAC Biscuits are similar to many other older biscuit recipes that are designed to produce crisp, hard and nutritious biscuits that keep well.

One of the food items that women in both countries sent to soldiers during the First World War was a hard, long-keeping biscuit that could survive the journey by sea, and still remain edible. These were known as Soldiers' Biscuits, but after the Gallipoli landings in 1915, they became known as ANZAC Biscuits. Soldiers themselves may have made a similar form of biscuit from ingredients they had on hand: water, sugar, rolled oats and flour.

The traditional ANZAC Biscuit is hard and flat - ideal for dunking in tea and then eating. During the First World War, some soldiers used broken biscuits to make a form of porridge to add some variety to their diet.

Over the years, softer and chewier versions of the biscuit have appeared. There are many recipes for ANZAC Biscuits. Common to most is the inclusion of rolled oats, coconut, butter and golden syrup. Eggs almost never feature. This may be because eggs were in short supply during the First World War. Many varieties of biscuit do not have eggs, however, and like ANZAC Biscuits rely instead on chemical rising agents such as bicarbonate of soda (baking soda).


ANZAC biscuit recipe
makes about 20

1/2 cup sugar (unrefined raw sugar)
1 cup plain flour (wholemeal, sifted twice)
1 cup rolled oats
1 cup dessicated coconut
125g unsalted butter
1 tablepoon golden syrup
2 tablespoons boiling water
1 tablespoon baking soda

1. Preheat the oven 150C. Line two baking trays with non-stick paper.

2. Combine the sugar, flour, oats and coconut in a large mixing bowl.

3. Melt the butter in a small saucepan over medium heat then add the golden syrup, boiling water and baking soda. It will foam up to triple the volume almost immediately. Add the butter mixture to the dry ingredients and mix with a wooden spoon to combine.

4. Place spoonfuls on the trays about 5cm apart and flatten slightly. Bake for 20 minutes until golden brown. They’ll still be quite soft, so carefully transfer to a rack to cool. They’ll firm up when they get to room temperature.


Dulce et decorum est

by Wilfred Owen

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
till on the haunting flares we turned our backs
And towards our distant rest began to trudge.

Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! GAS! Quick, boys! - An ecstasy of fumbling,
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,-
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.


Owen's poem recited by many a school boy, takes its famous opening lines from Horace's Ode:

Dulce et decorum est pro patria mori:
mors et fugacem persequitur uirum
nec parcit inbellis iuuentae

poplitibus timidoue tergo.

Virtus, repulsae nescia sordidae,
intaminatis fulget honoribus
nec sumit aut ponit securis
arbitrio popularis aurae...

It’s sweet and fitting to die for one’s country.

Yet death chases after the soldier who runs,

and it won’t spare the cowardly back

or the limbs, of peace-loving young men.

Virtue, that’s ignorant of sordid defeat,

shines out with its honour unstained, and never

takes up the axes or puts them down

at the request of a changeable mob.

The 2007 Gallipoli Commemorations with the then Prime Ministers of Australia and New Zealand, and His Royal Highness The Prince of Wales...





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